This gentle tale of love in the face of the threat of war could do with a bit of rocket propulsion itself.

~ Amber Wilkinson -

This gentle tale of love in the face of the threat of war could do with a bit of rocket propulsion itself.

~ Amber Wilkinson -

Odds on, you'll laugh.

~ Angus Wolfe Murray -

As an actor, Costner plays his trademark laid-back, soppy-hearted loner, offering nothing new. As a director, he is so casual with detail he might not have been there.

~ Angus Wolfe Murray -

As an actor, Costner plays his trademark laid-back, soppy-hearted loner, offering nothing new. As a director, he is so casual with detail he might not have been there.

~ Angus Wolfe Murray -

This isn't a conventional life-affirming cancer narrative, this is angrier, more personal.

~ Andrew Robertson -

This isn't a conventional life-affirming cancer narrative, this is angrier, more personal.

~ Andrew Robertson -

This is a small film with modest ambitions but it does indeed offer a postcard of sorts to a world many viewers won't be aware of and has been made with a lot of heart.

~ Amber Wilkinson -

This is a small film with modest ambitions but it does indeed offer a postcard of sorts to a world many viewers won't be aware of and has been made with a lot of heart.

~ Amber Wilkinson -

There's a quietness about it, a new maturity for Spielberg.

~ Jennie Kermode -

There's a quietness about it, a new maturity for Spielberg.

~ Jennie Kermode -

In some ways it brings to mind the psychopathological novels of new wave science fiction.

~ Donald Munro -

In some ways it brings to mind the psychopathological novels of new wave science fiction.

~ Donald Munro -

A gripping and emotionally affecting consideration of the casual evils that men do.

~ Amber Wilkinson -

A gripping and emotionally affecting consideration of the casual evils that men do.

~ Amber Wilkinson -

The clash of styles is painful to watch

~ Angus Wolfe Murray -

The clash of styles is painful to watch

~ Angus Wolfe Murray -

The Postman Always Rings Twice is a masterclass in noir.

~ Jennie Kermode -

The Postman Always Rings Twice is a masterclass in noir.

~ Jennie Kermode -

Aitken’s camera expertly catches the contrast between the humour and the unsettling.

~ Amber Wilkinson -

Aitken’s camera expertly catches the contrast between the humour and the unsettling.

~ Amber Wilkinson -

This nuanced, insightful documentary is much more successful than most at communicating the complex impact of sexual abuse.

~ Jennie Kermode -

This nuanced, insightful documentary is much more successful than most at communicating the complex impact of sexual abuse.

~ Jennie Kermode -

The picture Edwin paints recalls the postcards of the title, both for good and ill.

~ Amber Wilkinson -

The picture Edwin paints recalls the postcards of the title, both for good and ill.

~ Amber Wilkinson -

Boll should be defended, even admired, for his willingness to swim against the political tide - but that alone, unfortunately, is not enough to make Postal worth watching.

~ Anton Bitel -

Boll should be defended, even admired, for his willingness to swim against the political tide - but that alone, unfortunately, is not enough to make Postal worth watching.

~ Anton Bitel -

The film's biggest asset is Steadman, who approaches her character in a much more rounded way that we are used to seeing in films of this sort.

~ Jennie Kermode -

The film's biggest asset is Steadman, who approaches her character in a much more rounded way that we are used to seeing in films of this sort.

~ Jennie Kermode -

Outpost 3's menagerie of menace is a muddle.

~ Andrew Robertson -

Outpost 3's menagerie of menace is a muddle.

~ Andrew Robertson -

In short, Outpost is exactly what a horror film should be.

~ Anton Bitel -

In short, Outpost is exactly what a horror film should be.

~ Anton Bitel -

I was won over by the whole approach of this confident sophomore feature pretty early on, from the witty, frank but also very tender script to the great casting and performances.

~ Owen Van Spall -

I was won over by the whole approach of this confident sophomore feature pretty early on, from the witty, frank but also very tender script to the great casting and performances.

~ Owen Van Spall -

Though he has a number of credits to his name, Nicholas Winter struggles with basic framing, resulting in a film full of unintentional visual distractions.

~ Jennie Kermode -

Though he has a number of credits to his name, Nicholas Winter struggles with basic framing, resulting in a film full of unintentional visual distractions.

~ Jennie Kermode -

A film and a story where you can't afford to be out of the conversation.

~ Owen Van Spall -

A film and a story where you can't afford to be out of the conversation.

~ Owen Van Spall -

The constant switch from past to present begins to make the narrative feel incoherent and is extremely frustrating given the story’s early promise.

~ Liam Papworth -

The constant switch from past to present begins to make the narrative feel incoherent and is extremely frustrating given the story’s early promise.

~ Liam Papworth -

Hristov stands back and silently observes as the election campaign plays out, showing rather than telling, how much economic circumstances can drive both word and deed.

~ Amber Wilkinson -

Hristov stands back and silently observes as the election campaign plays out, showing rather than telling, how much economic circumstances can drive both word and deed.

~ Amber Wilkinson -

This is the fascinating tale of the rise of two trends – the citizen journalist, and open-source journalism.

~ Jane Fae -

This is the fascinating tale of the rise of two trends – the citizen journalist, and open-source journalism.

~ Jane Fae -

It's light tone and sprightly 80-minute length belie the depth of Veiroj's film, which is almost bursting at the seams with ideas about self-definition.

~ Amber Wilkinson -

It's light tone and sprightly 80-minute length belie the depth of Veiroj's film, which is almost bursting at the seams with ideas about self-definition.

~ Amber Wilkinson -

This is entirely Duvall's film. He gives himself a T-bone of a role, which he exploits with due diligence and compassion.

~ Angus Wolfe Murray -

This is entirely Duvall's film. He gives himself a T-bone of a role, which he exploits with due diligence and compassion.

~ Angus Wolfe Murray -